[16], adding two to three thousand words to the English language, "The Shakespeare Code commentary podcast", "Historic Coventry – the visit of The Doctor! WILLIAM SHAKESPEARE'S magnitude and influence is unquestionable. It was broadcast on BBC One on 7 April 2007. She then questions whether it is safe to walk around in the past, citing familiar time travel paradoxes such as the grandfather paradox and the so-called "butterfly effect". The Doctor jokes, "London never changes". In a different version of the joke, the Doctor exclaims "Once more unto the breach", and Shakespeare initially likes the phrase, before realising it is one of his own from Henry V, which was probably written in early 1599. Original theme music by Ron Grainer Carrionites He decides to find out more about why it was never published. Sometimes reality exceeds fiction. [3][4] Roberts added that although early draft of "The Shakespeare Code" contained "a sly reference to City of Death", it was removed because "it was so sly it would have been a bit confusing for fans that recognised it and baffled the bejesus out of everyone else. Martha Jones steps outside and is amazed by the fact they've gone back in time. Amused, Bloodtide tells her sister that no-one that can stop them now; humanity will doom itself. They are led into Streete's cell, where the Doctor finds he is suffering from catatonia. Lilith promises to kill the Doctor as the bells ring outside. After viewing a performance of Shakespeare's latest play, the time travellers are beset by apparent sorcery. In the episode, the alien time traveller the Doctor (David Tennant) takes his new travelling companion Martha Jones (Freema Agyeman) in her first trip in time and space. Wanting to see the author himself, Martha starts what the Doctor thinks might be the first crowd chant for Shakespeare. In addition, the Doctor finds a skull in Shakespeare's prop store that reminds him of the Sycorax race from "The Christmas Invasion" (2005); when the Doctor mentions the name "Sycorax" to Shakespeare, Shakespeare says that he will use the name (the joke is that the name in fact derives from Caliban's mother in Shakespeare's play The Tempest.). A cryptographic discovery that may change western history. It is only said in the beginning when the young man tells Lilith that her house is foul. Writer Gareth Roberts was well known as a fan of Shakespeare; he had included him as a character in A Groatsworth of Wit, a Ninth Doctor comic strip. There are several references to the paradoxes of time travel. This is part of the reconstructed Globe and wouldn't have been present in the original. ", "Doctor Who "The Shakespeare Code" Review", https://en.wikipedia.org/w/index.php?title=The_Shakespeare_Code&oldid=999587836, Cultural depictions of William Shakespeare, Articles with dead external links from June 2018, Articles with permanently dead external links, Articles with dead external links from March 2018, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 January 2021, at 23:29. Martha, mimicking the Doctor's actions at Bedlam, tries to neutralise her by speaking the name Carrionite, but Lilith mocks her, since naming only works once. [13] Digital Spy's Dek Hogan found the plot "ludicrous" but praised the production values and special effects. The story plays on the speculation around Shakespeare's. She is discovered by Dolly, who had just finished her work to help "relax" Will. Lilith plunges the doll into a bucket of water. According to Roberts, "if anyone was gonna trip me after transmission it'd be him, so I thought I'd butter him up first".[5]. It is no hardship to leave something we never possessed in the first place – exercising dominion over something that does not put up a fight, putting fences round a place that contains nothing, pretending to endure suffering when we are free to get up and go at any time. One of the putative lines of Love's Labour's Won, "the eye should have contentment where it rests", is taken from episode three of the 1965 serial The Crusade[7] — a story consciously written in Shakespearean style. Key crew Once at Bedlam, Martha and the Doctor are disgusted to learn that the patients are whipped to entertain the gentry. However, his attention shifts to Martha, whom he tries wooing, describing her as "a queen of Afric" or a "blackamoor lady", which she finds slightly offensive. Lilith temporarily stops one of the Doctor's two hearts and flies to the Globe Theatre. The Doctor tells Shakespeare to stop the show whilst he and Martha go to All Hallows Street to thwart the witches. They run through the streets back to the TARDIS as the guards run after them. Lilith credits the Carrionites' escape from the Eternals' banishment to 'new...glittering' words. At the end of the play, William Shakespeare announces a forthcoming sequel entitled Love's Labour's Won. The Shakespeare Code by Virginia M. Fellows, recently deciphered codes within the works of Shakespeare reveal the true story of Francis Bacon as the rightful heir of Queen Elizabeth I of England. The episode was Gareth Roberts' first writing credit proper on the show, however he had written for Doctor Who many times before. Cracking The Shakespeare Code. He says he'll take her home tomorrow. 3.2 "I must be on 10% now," the Doctor thinks. Story number: This visit causes Lilith to sense something is amiss; she and her mothers look into their cauldron and find the Doctor at the mad house with Shakespeare. He reveals his deduction that the Doctor is not of the Earth and that Martha is from the future. Taken from the episode "The Shakespeare Code. He states that he will have the last scene finished by the morning. Suddenly, Mother Doomfinger appears in the cell and kills Peter with a touch to the heart. The actors speak the last lines of the play. The Doctor calmly announces to the crowd that Lynley has died a natural death, of a sudden imbalance of the humours. "Doctor Who" The Shakespeare Code (TV Episode 2007) Christina Cole as Lilith One shot of the Doctor and Martha looking at the Globe Theatre was changed between the Series Three preview at the end of "The Runaway Bride" and the final episode; the edge of the Globe Theatre has been replaced with a CGI shot of a village and the distant theatre itself. She flies to the Globe, leaving the Doctor and Martha behind. By uttering the name Carrionite the Doctor is able to repel her. She senses a name that could hurt him and tries to weaken him by naming "Rose", but he assures her that that name keeps him fighting and demands to know how the Carrionites came to be on Earth. Tenth Doctor 7.23 million viewers - BARB final ratings, 1.039 million viewers - BBC3 Repeat ratings, Ford's Hospital, Greyfriar's Lane, Coventry, Newport Indoor Market (Basement), Newport, Chelesmore Manor House, Greyfriar's Lane, Coventry, BBC Studios, Upper Boat, Tonteg Road, Treforest Industrial Estate, Pontypridd, Stageworks, Unit H1, Colchester Industrial Estate, Colchester Avenue, Penylan, Cardiff, Black Horse Ltd, St William House, Tresillian Terrace, Cardiff. They proceed to the Globe to stop the Carrionites. Oh, I cried." BBC One Remember, however, that this list only gives the first year in which an episode from a series was broadcast. Among the facts that the Doctor lists are that it's not really a globe, but a tetra-decagon; it's also brand new and recently opened for the plays written by the great writer himself. There are several references to the Harry Potter franchise. [1] According to the BARB figures this episode was seen by 7.23 million viewers and was the fifth most popular broadcast on British television in that week. Dolly informs the Doctor and Martha that she's prepared a room for them. She decides to introduce her suitor to her two "mothers", Mother Doomfinger and Mother Bloodtide. Code was one of the most costly stories ever produced, with large expenditures on costumes and sets. Wiggins is named after Doctor Martin Wiggins, a distinguished academic in the field of Elizabethan and Jacobean literature and the editor of several editions of influential plays of this period. Conspiracy, History / 5 Comments Imagine a country where many people have become convinced that much of what we know about William Shakespeare is wrong. There’s no fish like your first fish. She approaches seductively, which the Doctor says definitely won't work on him, and then quickly cuts a lock of his hair. Shakespeare's daughter, Susanna, was to have appeared at one stage. Volgens de BARB cijfers deze aflevering werd gezien door 7.230.000 kijkers en was de vijfde meest populaire uitgezonden op de Britse televisie in die week. In the first shot, she's stroking his hair behind his ear, in the next shot, she is touching his sideburn, and her fingers shift to behind his ear again in the following shot. The Doctor gives a disgruntled Martha mixed signals by casually sharing the bed with her only to show no interest, then dismissing the idea that a mere human could be channelling the psychic energy and bemoaning the lack of Rose's insight. Gridlock. [11][12], Apart from Newport Indoor Market, where the scenes at Bedlam, as the Bethlem Royal Hospital was known as then, were recreated in the basement, the remainder of the shoot took place in Upper Boat Studios, for the scenes set in the Elephant Inn, sections of Globe Theatre material, and the TARDIS scenes.[8]. Martha awakens, thinking the Doctor is dead as well, but finds he's still alive — two hearts. The Doctor tells her that when she gets home, she can tell everyone she's seen Shakespeare. The Tenth Doctor takes her to 1599 England. Producer Russell T Davies and screenwriter Gareth Roberts have both stated that they were aware of these past references to meeting Shakespeare, but that they would neither be mentioned nor contradicted in the episode. Upon hearing another scream, the Doctor and Martha run in to find Dolly's body as Shakespeare wakes; the Doctor notes that Dolly's heart gave out from a powerful fright. Martha asks about the play, and the Doctor confirms that when Will undid the magic of Love's Labour's Won , he banished every copy into the aether, or the Void, or the Untempered Schism, or the Time Vortex, or wherever the heck the Eternals trapped the Carrionites. Most images portraying Shakespeare show him to be a man who is balding on the top of his head. She then asks if magic really exists, to which he states it doesn't — this looks like magic but isn't. Wiggins is also a Doctor Who fan and a friend of writer Gareth Roberts. Producer: A witch called Lilith uses a voodoo doll to influence Shakespeare to declare that the new play will premiere the following evening. In the witches' home, a wheezing Doomfinger rejoins Bloodtide and Lilith; she tells them that the Doctor knows of their true nature - he spoke their true name. He then names Doomfinger a Carrionite, which causes her to disappear. In another Big Finish drama, The Time of the Daleks, a child is revealed to be Shakespeare at the story's end. Much to Wiggins' horror, the two mothers cackle and pounce on him, apparently devouring him. She tells her mothers to go the Globe and wait for her; Lilith will be waiting for the Doctor to find their home so she can kill him to put an end to his threat to their plans. In The Shakespeare Code, the Carrionites subvert Shakespeare to plant their ‘spell’ in the climax of Love’s Labours Won, recitation of which will free their people from the Eternals banishment. Looking at the crystal ball, the Doctor says he has a nice dark attic for the Carrionites to scream in for all eternity, and that he needs to get Martha back to Freedonia. The Doctor confronts Lilith, who explains that the three witches were released from their banishment by Shakespeare's genius words after he lost his son Hamnet. When Lilith is attempting to charm the Doctor, she strokes his face. ‘Gyves’ = ‘constraints’. The Doctor previously felt emotional at the mention of his lost companion, The arrow that is shot into the TARDIS mimics similar occurrences in, Queen Elizabeth's anger at the Doctor is given a possible cause in, The Doctor also mentioned meeting Queen Elizabeth in, The Doctor claims that Martha is a citizen of the nation of "Freedonia". At The Elephant, Will and his actors are given beer by Dolly Bailey, the landlady. He tells for the Doctor not to ask him where he gets his ideas, but upon seeing Martha enter, he stops dead and then suddenly changes his tune, welcoming the two travellers into the room. The Doctor explains the Carrionites produce their "magic" through an ancient science based on the power of words. Main setting: Martha, Shakespeare and the actors are left to take the applause of the audience who think it was special effects. Take your favorite fandoms with you and never miss a beat. [8], Production then went on a week of location night shoots, beginning in Coventry, including Ford's Hospital, for one night,[9][10] before moving to the Lord Leycester Hospital at Warwick. However, upon entering the home, he is shocked to find it full of horrifying witching artefacts — not what he would expect a beautiful girl to have in her home. In SFX magazine #152, producer Phil Collinson called this episode the "most expensive ever", because of the large amounts of CGI and filming in Warwick, Coventry and London. Martha mentions the possibility of killing her grandfather, an allusion to the grandfather paradox, when she first steps from the TARDIS. This has a sequel in Ian Potter's short story Apocrypha Bipedium in Short Trips: Companions, which concerns the young Shakespeare's anachronistic meeting with some of the characters he will later portray in Troilus and Cressida. Shakespeare improvises a short rhyming stanza but is stuck for a final word until Martha blurts out Expelliarmus. The actors think Will is drunk and carry him backstage. By the time of production, however, the title had been changed to "Theatre of Doom", according to David Tennant's video diary shot during production and included as a bonus feature of the Series 3 DVD set. The Queen declares, "Off with his head!". Much to the horror of the audience, Carrionites emerge and swarm outside; laughing wickedly at their terror, Lilith locks the audience in. Seeing how much he desires her, Lilith allows him entrance to her home. He asks for a constable to take Lynley's corpse; Lilith offers to fetch one, walking off with a hidden grin on her face. With her help, the Doctor manages to re-start his other heart. The witches Lilith, Doomfinger, and Bloodtide observe this through their cauldron, and Doomfinger teleports to the cell and kills Peter with a touch. As more and more newcomers discover the joy of fishing, Shakespeare will be there, providing the gear and inspiration to make sure that the next bite will never be the last. She tells them to calm down and chant with her, adding hair she secretly took from Lynley to a doll; it is now a voodoo doll. By genre: The carrionites attack and make their plans known to The Doctor. Recognising the signs, the actors excuse themselves; to them, it looks like Shakespeare has found a new muse. Her name is not even said by Bloodtide, Doomfinger or Lilith herself. She frets over her reception as a black woman in a time when slavery still exists. The Doctor steps forward to confront her; Doomfinger explains no-one on Earth has knowledge of them. It fades away, making them decide to keep it a secret. Martha asks if he has an advanced gadget for recording things; they could record the play and sell it back in the 21st century, make a fortune. Freedonia was the name of a planet in, The Doctor uses the title of "Sir Doctor of TARDIS". Some of the expense was quickly rationalised by BBC Wales, however. See all galleries from The Shakespeare Code (4) Related Content. However his behavior upon meeting Shakespeare in this episode suggests he's never met the man before. Featuring: Shakespeare subsequently flirts with the Doctor as well, at which the Doctor observes, "Fifty-seven academics just punched the air," a reference to the debates on this subject. Martha defends herself by saying that in Freedonia, women can have any profession they want. This is one of few occasions where the Doctor didn't appear to use the sonic screwdriver in the episode. For over 100 years, Shakespeare has been one of the most recognizable brands in fishing. Some of the words and names used are derived from other works. The Doctor tells her it's "before the invention of the toilet", apologising. Phil Collinson Inside the inn, they wonder about Lynley's murder, but Shakespeare is equally confused by Martha's training as a doctor, wondering what kind of land Freedonia is. In the cell, the Doctor uses his telepathy to help Peter think that all the horrible things that happened to him were nothing more than an illusion, calming the man and making him aware of their presence. The Doctor then gives Shakespeare his "All the world's a stage" line before retiring for the night. Instead, she names Martha Jones, rendering her unconscious, muttering that she was unable to harm her more, as she must be out of her own time. The Carrionites in the theatre wither in fear of his words, but William gets stuck on the last one, unable to think of a rhyme. One of the Doctor's hearts stops temporarily. (, The Doctor's psychic paper fails to work again because the person on the receiving end is able to outsmart the trick it plays on the mind. The Doctor figures out that the 14 walls of the Globe are based on the 14 stars of the Rexel configuration. 1x45 minute Episode Premiere network: However, the Doctor turns out to be wrong about the consistency of the Bard's genius when he asks the audience to shut their "big fat mouths". Sometimes reality exceeds fiction. In 16th century London, a nymph, Lilith, is serenaded from her balcony by a lute-playing swain, Wiggins. When asked by the Doctor what she saw, Martha answers, "A witch". He again demands the play, but Shakespeare insists it's not ready yet. And nobody knows that better than Shakespeare. The Doctor and Martha reach All Hallows Street, with Martha questioning how this could cause a problem, as she's living proof that the world didn't end this year. . Thus, his series actually begin in 2005, 2006 and 2007 — not 2006, 2007 and 2008 as is commonly thought. 180 The Doctor tells Shakespeare that only he can find the words to close the portal. Frowning, the Doctor moans in disappointment. He speculated that he might like it better when watching it again later after he has warmed up to Martha. At one point, the Doctor uses the title "Sir Doctor of TARDIS," which had been awarded to him by Queen Victoria in "Tooth and Claw" (2006). When they find William Shakespeare with a lost play,… Gareth Roberts Next → British Shakespearean scholar Robert Crumpton embarks on a mission to prove he is spectacularly wrong. This leads the Doctor to investigate the Globe next. They walk around the town and the Doctor says Elizabethan England is far more like the 21st century than Martha might think. Similar programmes. The reasoning behind why she disliked him so much wasn't explained until the 50th anniversary special The Day of the Doctor. [5], In the Lost Adventure by Douglas Adams Shada,there is a passing reference to a Time Lord, Scintilla, who was imprisoned for 'conspiring with Carrionites and the novelisation of Shada was also written by Roberts. Shakespeare himself speaks with a noticeable Midlands accent, a reference to his birth and upbringing in Stratford-upon-Avon. " The Shakespeare Code" is de tweede aflevering van de derde reeks van de nieuw leven ingeblazen Britse science fiction tv-serie Doctor Who. Originally titled "Love's Labour's Won",[2] the episode was re-titled as a reference to The Da Vinci Code. This is the name of an inn recommended in Twelfth Night. Shakespeare's head still hurts, so the Doctor hands him the stereotypical Shakespeare collar to use as a neck brace. She confirms the Doctor's suspicions: the three Carrionites hope to gain entry for the rest of their species, eliminate the humans, begin a new empire on Earth and spread out from there. The Doctor gives Will a neck brace for his pain, telling him to keep it as it looks good on him. On the Doctor's order, Streete reveals that witches spoke to him and made him design the Globe to their design, not his own; once he had served his usefulness, they snapped his wits to keep him quiet about their plans. Insulted, Lynley declares that this slight means he will ensure the play will never be performed, even if it's the last thing he does; he will return to his office for a banning order. Production started at the production team's Upper Boat Studios in Trefforest for the scenes in the Crooked House. Main enemy: The Carrionites were a species of humanoids which used word-based science or "witchcraft" to reshape reality. Has previously appeared as a young boy in never miss a beat, 2006 and 2007 — not,!, complaining she does n't — this looks like Shakespeare has been one of occasions. Lilith, Who say it 's pointless as the `` Dark Lady '', but play... 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